Friday, October 23, 2009

I Demonstrate the Inherent Power of Cher's "Heart of Stone"

Cher's "Heart of Stone" is probably one of the greatest songs to come out of 1989. It rocks. It aches. It rhymes. And it has tambourine. It has everything (no cowbell, but tambourine is as good as cowbell). I'm going to dissect it to prove how poignant it is:

Begins with an excellent acoustic guitar being strummed in a heartfelt manner.

Cher: "Beneath the white fire of the moon, loves wings are broken all too soon."

Obviously this sets up the story. The setting, if you will. The protagonist is clearly pondering the fate of her love beneath the full moon. It doesn't say it's a full moon. I'm taking literary license here. Usually a moon is full when someone thinks to remark about the amount of light its giving off. So, we have the moon and it's night and the wings of love have been broken. So we have a bird. No, no, not a bird; love, love is a bird. The bird of love has been grounded, thus the dream has been broken.

So the protagonist is regarding the landscape of the night, musing about the moon, and realizing the dream has been lost. It's a nice scene, established in two short lines. Good metaphors and such. Also, I really like that the moon has "white fire." That's fantastic crap right there.

Cher: "We never learn. [begin tambourine] Hurt together, hurt alone. Don't you sometimes wish your heart was a heart of stone?"

So there we have the age old lament that "we never learn." It's true. Humans are worse than animals when it comes to learning. We struggle. We have hope. We return to the former things, the things that have hurt us, because of hope. Nicely done, Cher. It's always good to fall back on proverbial sayings and whatnot when you're making a statement. Right? Because they're universal.

And then the protagonist goes on pondering, more lamentation, the lovers in the song "hurt together, hurt alone." Also very true. When love ends, does either party win? No, unless of course one of the parties is abusive and then the one abused wins, good job in that case. But typically, both parties lose because the entire universe conspires to break lovers apart, and that seems to be acknowledged here in that short line when coupled with the next line, which says, "Don't you sometimes wish your heart was a heart of stone?" The unspoken content of that line is that hearts are always being broken and if only (if only!) the heart could be made of stone, it couldn't be broken and break ups wouldn't hurt. Right?

Next we have the introduction of more instruments, always a powerful moment in a song. The pause, then the drums come in and the electric guitar, and bass. Fantastic. Who doesn't love this type of song-furniture?

Cher: "We turn the wheel and break the chain. Put steel to steel and laugh at pain. We're dreamers in castles, made of sand. the road to eden's overgrown. Don't you sometimes wish you're heart was made of stone."

Now what Cher is doing is giving us some concrete images. Applause. Why? Because concrete images are always a good choice. So we have a wheel, and a chain, some steel, and then the only abstraction in those two lines, PAIN. Abstract emotions are nearly always weak, so when Cher prepares us with some actual hard, cold images, we feel the meaning of pain. Pain is a broken chain (like on a bicycle), steel on steel, ooh that's cold. Then pain. But not just any pain. Pain you laugh at sarcastically, like, ha ha, Pain, think you can hurt me?

Then we get another hearty helping of very good metaphors. Sand castles. Roads to paradise overgrown and difficult to traverse, i.e., we're never going to make it, this is bull crap, why even try? That sort of thing. Works very well. Also, very sarcastic. As though to say, "What, you don't think love is worth it? Fine. Let me just mock what we had and by the way, I wish my heart was made of stone."

Fantastic. Just fantastic.

Then we have the chorus. It's an interesting chorus. Not your typical chorus. The first chorus has some interesting, not-boring drum fills and cymbal crashes.

Cher: "Look at the headlines: Big crowd at the crazy house, long queue for the joker's shoes, ten rounds in the ring with love, do you lose and win, oh, oh win and lose."

Ok, this part is very confusing. I'm not sure what the protagonist is trying to say here, except that only insane people put themselves through love, and if that's true, then bravo because it's VERY effective. VERY. I don't know what the deal is with "look at the headlines" and in any case, the newspaper reference is tired. But I do enjoy the "long queue for the joker's shoes" and the reference to the boxing match with love. Yes, that's good. We all get that because most of us have been pummeled by love enough to empathize with the reference.

Cher: "Sweet rain like mercy in the night (lay me down, wash away the sorrow) caress my soul and set it right (lay me down show me your tomorrow) summer tears, winter, and the moments flown, don't you sometimes wish your heart was made of stone. Mercy mercy wish your heart was a heart of stone."

Oh man. This part is probably the crowning bit of the song. In my opinion. Cher's voice changes when she moves into the line "sweet rain like mercy in the night," leaving the chorus behind, and it makes sense because suddenly the protagonist is singing about redemption ("caress my soul and set it right"). The rain has come and covered the moon (presumably), and then we have the backing chorus going on a baptism type theme, and the rest of Cher's lines are like a prayer, almost. The rest of the section is about moving on, "summer tears, winter, and the moments flown." Nice. It's always effective to bring in the seasons to represent the passage of time. Very good.

Cher: "Get the picture? No room for the innocent, peak season in lonely town, knocked out of the ring by love, are you down and up, or up and down?"

Good images. Much like the previous chorus, only this time it's referencing a brochure for a vacation trip, but the catch is, it's the off-season. No one wants to be in Jackson Hole or Sun Valley during the summer. Lonely town (unless of course you're there for the mountain biking, but that's easily ignored in my case). And instead of just being IN the ring with love, the protagonist has been knocked OUT of the ring. That was a killing blow, my friends.

Cher: "I ask the river for a sign, (in a dream, we go on together) well how long is love supposed to shine? (in a dream, diamonds are forever) but you and I, we hurt together, hurt alone! Don't you sometimes wish your heart was a heart of stone? Mercy mercy, wish your heart was a stone."

In this section Cher really belts it out. With emotion. It's loaded. She's the protagonist, it suddenly seems, she's truly looking to that river for a sign. I assume this river was always part of the song's landscape, and since she's just been baptized by the rain and a river, it makes sense that there's a river. And Cher sees that in a dream things could have been different, the lovers could have been together and the ring of promise (the diamond) actually kept the love true. But alas! The dream fades and the reality is that the relationship is over. They hurt at the same time and wish there was no pain.

Ahhhh, weak mortals. But without all that pain, songs as great as "Heart of Stone" wouldn't exist. And how gloomy a world would be without love songs, break up songs, and songs of redemption! I believe, my friends, that I've successfully proven my point, that "Heart of Stone" is an awesome song, full of excellent metaphors and imagery, and not only that, it's Cher! Cher! Of course, my words can hardly do it justice. You must listen to it to really feel the greatness. I'm particularly fond of the backing chorus during the redemption sections. Fabulous!

Wednesday, September 16, 2009

Infamous and Flying in Video Games

Infamous is a fantastic game. I became addicted immediately upon playing the demo. The reason? Like the levitation skill in Morrowind, the Infamous developers wisely gave the character Cole the ability to float using electricity. After I completed the demo, I had dreams I was Cole, floating down from the tops of buildings, some kind of guardian angel bringing justice in my wake, zapping the bad guys (known as Reapers and Dustmen), and resuscitating victims of the plague.

Not to complain, but Bethesda (the developer of Morrowind and Oblivion) was stupid to exclude the levitation skill when they created Oblivion, the sequel to Morrowind. Flying, floating, gliding, levitating -- these are magical abilities that no game should lack. As I marvel at my addiction to Infamous, and I observe the formation of an attachment to the new Batman game (which utilizes the Bat's ability to glide), I see a common thread. I feel no strange addictions to Oblivion (no levitating), yet the passion endures for Morrowind (levitation).

I understand it all now. Flying is the key. When Bethesda decided to scratch levitation from the list of skills for the incredibly forgetful world in Oblivion, they were essentially demoting the title from awesome to crapsome.

Man has dreamed of flight since his first glimpse of a bird taking to the sky. Do you remember your nightly dreams? If you do, which dreams are the best? Did you say flying dreams? I know you said flying dreams because those are the best dreams. They're about freedom, escape, joy, and power, and so much more. Even if everything else in your life sucks, when you have a dream about being able to fly, the most magical thing happens in your soul -- something to do with hope and not being constrained by earth and all its woes.

The caveat here is that the flying-type skill must be in direct defiance to gravity. It can't be out in space. It also has to be in human form, it can't be a man flying in a jet or anything of that nature. Because the dream isn't to be trapped in a jet or any other contraption (though I thank you Wright brothers), it's to be a person who can fly. Or float. Or levitate.

So anyway. That's the reason Oblivion, which could have been as awesome as Morrowind, failed to live up to its potential. It's why the new Batman game is next on my list, why Super Mario 3 was so amazing (the raccoon tail, remember?), and it's also why I had to buy Infamous immediately after playing the demo and having dreams about it.

The other night I was, of course, playing Infamous. I came to the quest where Cole must climb the tower of junk in the middle of the slum district with his friend Zeke. At this stage, the floating ability makes it possible to reach the highest platform, using a series of steel beams and discarded neon signs.

So as I was guiding Cole up the tower, Stoker was sitting next to me, watching, and I kept missing the last beam. I basically ran in circles enough to earn the Frequent Flyer Trophy (something for the online PS3 community) because I couldn't turn Cole to catch the beam just right. It was frustrating.

I probably went in circles ten or twelve times before I finally let Stoker take the controller to try it. He'd been watching, judging me to be an incompetent player I'm sure, thinking secretly (I'm sure), that he could do it--because that's what you do when you're watching someone else play a video game. You think, "Man are they an idiot? I could do it in like three seconds." Not that Stoker would EVER think me an idiot. But he was thinking, "I could do this. Piece of pie."

I gave him the controller and thought, "Good. Now he'll know how much skill it actually takes to master the floating ability and he'll have no choice but to admire me." I told him which buttons did what, and sat back to observe him as he failed to guide Cole to the top platform.

But he succeeded on his first try.

Now, you're probably thinking that I acted like a brat for being slightly humiliated--after all, Stoker hadn't played Infamous until that moment. I don't deny that I normally would have said something snide or excused my inability to accomplish this apparently easy feat with the complaint that my wrists were tired, or my thumb had started to hurt, or I had eye-fatigue. But I didn't do any of that, because you know what, sometimes it's cool to let other people be heroes.

Yes, I'm that great. I can let others feel that they're superior to me. But only because deep down, I KNOW that I'm the best.

Ha ha.

Stoker immediately gave the controller back to me, feeling very smug inside, I just know it. I said to him, "The floating ability is addicting, isn't it?"

And he said, "Yeah, it is." And there was a look of longing in his eyes to keep on floating. To glide down from incredibly high buildings, to grind across electrical wires between buildings and launch into the sky like a bird, and skate over monorail tracks like a human rail car. Oh yes. It's a great feeling.

Tuesday, September 08, 2009

Climate Change Is Good But Rackets Bother Me.

Been awhile.

Things have been hectic. That's no excuse, I know, I know.

Summer's nearly over. I'm glad about that. Nashville is no place for summer. July wasn't so bad, because it was cool most of the month and it rained nearly every day. Thank goodness for that "cool Canadian air mass" that settled over the south. I'm pro-climate change if it's going to turn the south Mediterranean or Canadian or whatever.

I was about to write about this racket I've observed in Nashville, but then I thought better of it. I was about to expose an injustice, but it's only an injustice in my eyes I'm sure, and let's be honest, I'm no crusader. I'm always on the verge of being a crusader, but then I either get too lazy or too wise, I don't know which. I haven't the endurance to be a real crusader. I always fizzle.

But, boy, do rackets bother me.


P.S. I promise not to leave you for four months again.

Friday, April 17, 2009

Why Make Men Work for a Look? Just Give Them the Summer Dress and End the Charade.

My friends, you can't believe how ecstatic I am to have summer dress season upon us. Already the girls are wearing them, strolling down streets with their breasts spilling out of the spaghetti strap nightmares. Every step they take nearly graces other passerbys with butt cheeks or more. Why even wear a dress at all? I ask you. Why not simply wear bra and underwear? Why not go a step further and simply take the mystery out of it and go nude?

What is the point of clothes, I wonder. It's simply an imagined commandment from a non-existent God (as we've begun to discover, after all). To paraphrase: and God fashioned clothes for them out of animal skins. See, it's been forced upon us by a figurative Creator. There's no reason for us to wear clothes. We are all enlightened enough by now to realize that the beauty and art of the human form should be shared and adored by everyone. It's simply a left over, prudish, Victorian edict that we cover ourselves. We're beyond that now. We now see how unhealthy the Victorian perspective was, how it perverted values and turned out a population of warped individuals who somehow naively believed that each person influenced society by their actions.

We've arrived, my friend. Here we are, in the modern century, where we now know that each man (and woman, let us not forget) IS an island. The ancients, the poets, the great thinkers of those backwards generations had it all wrong. What I do has no bearing on anyone else. If a woman wants to wear a thong and a bra as her daily attire, no one should raise a voice against her. I mean, who does that hurt? Really?

In fact, the other day I went shopping for some new lingerie because I'M going to really give the fashion world a shake. Remember the episode of Seinfield with the bra-less wonder? When Elaine gives Cindy Whoever a bra as a present and she wears it as a top? That's where I'm going. I've got the body for it, why not? I mean, I never feel so valued as when men ogle me. I love nothing more than to walk into a room and have every head turn and give me the once or twice over. It makes me feel so powerful.

Married men, old men, fathers with daughters, my own father, priests, gay men, I want them all to want me. Why stop there? I want all the women to want me too. There are no boundaries when it comes to sex appeal.

The truly enlightened individual does not need clothes out in the world. Society. Family. Self-respect. Any respect. None of these are required for true happiness. So let us unravel each of them.

Friday, April 03, 2009

A Narrow Miss


Some people on Facebook were teasing me about hiding in the basement when the tornado sirens are going. And I admit it, I felt a little silly. But later on, when I was watching the news, I saw that a tornado had touched down uncomfortably close to my neighborhood.

I'm posting this here to show just HOW close. I've blacked out all the street names for my protection (of course). It took me hours to do this because I don't know much about Photoshop. I thought a funny and clever thing to do would be to change everything to Candyland names, but that would have taken me days to figure out, so forget about it.